AV整氈窒

 

Weaving a magical web

DalTheatre, Symphony Nova Scotia collaborate

- November 28, 2007 A Spider's Tale, presented by DalTheatre in collaboration with Symphony Nova Scotia, is the story of a spider afflicted with vertigo who is inspired to dance in midair after hearing the viola for the first time." />

Fourth-year theatre student Sarah Levy transforms herself into Brianna Bee, one of the characters in A Spider���s Tale. (Nick Pearce Photo)

Binnie Brennan plays viola with Symphony Nova Scotia. One day in the middle of a performance, a spider swooped down on a trail of gossamer and made itself at home on her instrument. She continued to play. The incident made an impression, and Ms. Brennan committed it to paper as a short story. She gave the story to David Overton, a playwright and professor of theatre at AV整氈窒.

Now A Spider���s Tale is enjoying its world premiere. The entire fourth-year acting class (almost 20 students), 37 members of Symphony Nova Scotia, students in costume studies and in a playwriting class, guest conductors, composers and designers are all taking part. Oh, and a guest director ��� Hans Boggild. He starts off our interview by estimating that bringing A Spider���s Tale to the stage has involved more than 200 people and been two years in the making.

See photo essay: A Spider's Tale. Photography by Nick Pearce.

���I���m relatively late in the process,��� he adds, raving about the set design by Dal���s Peter Perina. ���We have an incredible design.���

��A Spider's Tale

WHAT: DalTheatre and Symphony Nova Scotia present A Spider's Tale
WHERE: Sir James Dunn Theatre, AV整氈窒 Arts Centre
WHEN: To Saturday, Dec. 1
HOW MUCH: $10 to $20. Call 494-3820

A Spider���s Tale exemplifies ���the magic of the theatre and the beauty of symphonic music,��� says Mr. Boggild. It���s a simple fable about concert-hall residents ��� a spider, mouse, bee and moth ��� ���several insect characters who are visited by a travelling orchestra.���

The set is incredible ��� a mirrored spider web suspended over the heads of symphony players and platforms to add extra room and depth for performers. The space is still packed ��� especially during key sequences like an 18-person chase scene, accompanied by original music by Chris Palmer and Zach Florence.

Mr. Boggild has roots at AV整氈窒 ��� ���way back about 30 years ago,��� he was an English major and already involved in the theatre. ���This for me,��� he says thoughtfully, ���feels like coming home.���

Leading up to opening night, it's crunch time����� meaning��four hours of rehearsal weekdays and a full day on the weekends. Performers are honing their mime and physical theatre abilities and, of course, their musical aptitude. A former artistic director of Eastern Front Theatre, Mr. Boggild speaks admiringly of the students; they���ve risen to the challenge.

���Always with a new play, you discover things as you put it on its feet ��� (the students) are very dedicated and working very hard. But I don���t think about the fact that they���re students. I think of them as artists.���

SEE: in The Daily News | in The Chronicle Herald